000 05909cam a22006614a 4500
001 musev2_66527
003 MdBmJHUP
005 20240815120829.0
006 m o d
007 cr||||||||nn|n
008 160527t20172017ne o 00 0 eng d
010 _z 2016476277
020 _a9789048532063
020 _z9789462982147
035 _a(OCoLC)1163592298
040 _aMdBmJHUP
_cMdBmJHUP
245 0 0 _aMemory in Motion :
_bArchives, Technology, and the Social /
_cedited by Ina Blom, Trond Lundemo, and Eivind Rossaak.
264 1 _aAmsterdam :
_bAmsterdam University Press,
_c[2017]
264 3 _aBaltimore, Md. :
_bProject MUSE,
_c2020
264 4 _c©[2017]
300 _a1 online resource (332 pages):
_billustrations
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
490 0 _aRecursions : theories of media, materiality, and cultural techniques
505 0 0 _gMachine generated contents note:
_tOralities --
_gch. One
_tÈlectrified Voices': Non-Human Agencies of Socio-Cultural Memory /
_rWolfgang Ernst --
_gch. Two
_tCan Languages be Saved? Linguistic Heritage and the Moving Archive /
_rSonia Matos --
_tSoftwares --
_gch. Three
_tBig Diff, Granularity, Incoherence, and Production in the Github Software Repository /
_rStuart Sharples --
_gch. Four
_tPost-Archival Constellation: The Archive under the Technical Conditions of Computational Media /
_rDavid M. Berry --
_tLives --
_gch. Five
_tPlanetary Goodbyes: Post-History and Future Memories of an Ecological Past /
_rJussi Parikka --
_gch. Six
_tVideo Water, Video Life, Videosociality /
_rIna Blom --
_gch. Seven
_tFileLife: Constant, Kurenniemi, and the Question of Living Archives /
_rEivind Rossaak --
_tImages --
_gch. Eight
_tMapping the World: Les Archives de la Planete and the Mobilization of Memory /
_rTrond Lundemo --
_gch. Nine
_tStills from a Film That Was Never Made: Cinema, Gesture, Memory /
_rPasi Valiaho --
_gch. Ten
_tArchival Promise of the Biometric Passport /
_rLiv Hausken --
_tSocialities --
_gch. Eleven
_tNeomonadology of Social (Memory) Production /
_rTiziana Terranova --
_gch. Twelve
_tOn the Synthesis of Social Memories /
_rYuk Hui.
506 0 _aOpen Access
_fUnrestricted online access
_2star
520 8 _aHow should we understand social memory in the age of new media? Classic sociology described the ways in which social memory was enacted through ritual, language art, architecture and institution - phenomena whose persistence over time and whose capacity for a shared storing of the past was contrasted with fleeting individual memory. Society is memory, Émile Durkheim stated. However, today's new time technologies compel us to rethink this concept of memory and its emphasis on a shared past. For in the age of digital computing, instant updating and transfer functions and interconnection through real time networks give an unprecedented priority to the present and the future, while challenging the very distinction between individual and collective memory. New media technologies raise the question of the temporalities of memory to a principle, challenging not just the classic description of social memory, but also the social ontology that it presupposes. 'Memory in Motion: Archives, Technology and the Social' discusses the new technologies of memory from perspectives that explicitly investigate their impact on the very conceptualization of the social.
588 _aDescription based on print version record.
650 7 _aNeue Medien
_2gnd
650 7 _aSoziale Software
_2gnd
650 7 _aArchiv
_2gnd
650 7 _aGedenken
_2gnd
650 7 _aKollektives Gedächtnis
_2gnd
650 7 _aIdentity (Psychology) and mass media.
_2fast
_0(OCoLC)fst00966905
650 7 _aDigital media
_xSocial aspects.
_2fast
_0(OCoLC)fst01766776
650 7 _aCollective memory.
_2fast
_0(OCoLC)fst01739814
650 7 _aArchives.
_2fast
_0(OCoLC)fst00814030
650 7 _aRecords.
_2fast
_0(OCoLC)fst01091659
650 7 _aSOCIAL SCIENCE
_xGeneral.
_2bisacsh
650 6 _aIdentite (Psychologie) et medias.
650 6 _aArchives.
650 6 _aMedias numeriques
_xAspect social.
650 6 _aMemoire collective.
650 0 _aRecords.
650 0 _aIdentity (Psychology) and mass media.
650 0 _aArchives.
650 0 _aDigital media
_xSocial aspects.
650 0 _aCollective memory.
655 7 _aElectronic books.
_2local
700 1 _aLundemo, Trond,
_eeditor.
700 1 _aBlom, Ina,
_eeditor.
700 1 _aRossaak, Eivind,
_eeditor.
710 2 _aProject Muse.
_edistributor
830 0 _aBook collections on Project MUSE.
880 8 _6520-00/(Q
_aHow should we understand social memory in the age of new mediaClassic sociology described the ways in which social memory was enacted through ritual, language art, architecture and institution - phenomena whose persistence over time and whose capacity for a shared storing of the past was contrasted with fleeting individual memory. Society is memory, E⁺ѓmile Durkheim stated. However, today's new time technologies compel us to rethink this concept of memory and its emphasis on a shared past. For in the age of digital computing, instant updating and transfer functions and interconnection through real time networks give an unprecedented priority to the present and the future, while challenging the very distinction between individual and collective memory. New media technologies raise the question of the temporalities of memory to a principle, challenging not just the classic description of social memory, but also the social ontology that it presupposes. 'Memory in Motion: Archives, Technology and the Social' discusses the new technologies of memory from perspectives that explicitly investigate their impact on the very conceptualization of the social.
856 4 0 _zFull text available:
_uhttps://muse.jhu.edu/book/66527/
999 _c234154
_d234153