000			04174cam a22004934a 4500
001			musev2_76441
003			MdBmJHUP
005			20240815120830.0
006			m o d
007			cr||||||||nn|n
008			200721r20202013nyu o 00 0 eng d
020			_a9780615811147
035			_a(OCoLC)1176454892
040			_aMdBmJHUP _cMdBmJHUP
043			_au-at-tm
050		4	_aN8846.A97 _bI743 2013
245	1	0	_aIteration:Again: 13 Public Art Projects across Tasmania / _cedited by David Cross.
250			_a2nd edition.
264		1	_aNorth Hobart, Tasmania : _bCAST, _c2013.
264		3	_aBaltimore, Md. : _bProject MUSE, _c2020
264		4	_c©2013.
300			_a1 online resource (176 pages): _bcolor illustrations, portraits
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
500			_a"Iteration:Again is a Contemporary Art Spaces Tasmania (CAST) project"--Title page verso.
500			_a"This publication was produced following the Iteration:Again series of 13 public art commissions which took place across Tasmania from 17 September-15 October 2011"--Title page verso.
500			_aIssued as part of book collections on Project MUSE.
504			_aIncludes bibliographical references.
506	0		_aOpen Access _fUnrestricted online access _2star
520			_aIteration:Again documents and reflects upon a series of thirteen temporary public art commissions by twenty-one Australian and international artists that took place across Tasmania from September 18 to October 15, 2011. Produced by Contemporary Art Spaces Tasmania and David Cross, in conjunction with seven partner curators, Iteration:Again presents a compelling array of temporary artworks in largely unexpected places throughout Tasmania. Working to transform our experience of place for a moment in time, each commission seeks to address how temporary interventions or responses by artists to public sites, environments and buildings can serve to open up new ways of understanding Tasmania as a place with very complex cultural, social and spatial resonances.How it might be possible to introduce transformative elements that challenge the notion of a fixed or definitive artwork grounded in one location? By asking the artists to make four different chapters or 'iterations' over the course of a four-week period, David Cross challenged each practitioner to think through how change or processes of transition may function to make the art experience an unstable and contingent one. This idea of incorporating change into the work highlights a growing interest by artists in emphasizing art as a potentially theatrical or even fictive medium with the audience experiencing different moments or stages of encounter over a number of weeks. The idea provided for the possibility of narrative sequences, formal investigations, or temporal shifts that saw key additions or subtractions over time. Each commission sought to recast our understanding of public artwork from a discrete event or viewing experience, to a suite of experiences.The book includes sections on each project by the artists, including Ruben Santiago, Paul O'Neill, Maddie Leach and Toby Huddlestone, with a curatorial statement introducing the work and a commissioned response by thirteen Australian and international writers. It also features two major essays on key issues in temporary public art, including a curatorial essay by Cross and an essay on post-studio practice by noted public art scholar and curator Marco Marcon.
588			_aDescription based on print version record.
650		0	_aArtists _zAustralia _zTasmania.
650		0	_aArt _zAustralia _zTasmania.
650		0	_aPublic art spaces _zAustralia _zTasmania.
650		0	_aPublic art _zAustralia _zTasmania.
655		7	_aElectronic books. _2local
700	1		_aCross, David Anthony, _eeditor.
710	2		_aProject Muse, _edistributor.
776	1	8	_iPrint version: _z9780615811147
710	2		_aProject Muse. _edistributor
830		0	_aBook collections on Project MUSE.
856	4	0	_zFull text available: _uhttps://muse.jhu.edu/book/76441/
999			_c234214 _d234213