000			04110cam a22005054a 4500
001			musev2_66568
003			MdBmJHUP
005			20240815120831.0
006			m o d
007			cr||||||||nn|n
008			200724r20202013ne o 00 0 eng d
020			_a9789048518593
020			_z9789089645234
035			_a(OCoLC)1178720784
040			_aMdBmJHUP _cMdBmJHUP
043			_ae-ne---
050		4	_aND653.H79 _bU55 2013
082	0		_a700-9492
245	0	4	_aThe Universal Art of Samuel van Hoogstraten (1627-1678) : _bPainter, Writer, and Courtier / _cedited by Thijs Weststeijn.
264		1	_aBaltimore, Maryland : _bProject Muse, _c2020
264		3	_aBaltimore, Md. : _bProject MUSE, _c2020
264		4	_c©2020
300			_a1 online resource (296 pages): _billustrations (some color), map, portraits.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
490	0		_aAmsterdam studies in the Dutch golden age
500			_aIssued as part of book collections on Project MUSE.
504			_aIncludes bibliographical references (pages 259-277) and index.
505	0		_aPreface: approaches to a multifaceted master -- Prolog: Samuel van Hoogstraten and the golden age of Dutch art, literature, and science: the present book and future research -- Van Hoogstraten's theory of theory of art / Jan Blanc -- Paradoxical passages: the work of framing in the art of Samuel van Hoogstraten / Celeste Brusati -- The young Samuel van Hoogstraten, corrected by Rembrandt / Ben Broos -- "Zwierich van sprong": Samuel van Hoogstraten's Night watch / Paul Taylor -- Samuel van Hoogstraten's personal letter-rack paintings: tributes with a message / Michiel Roscam Abbing -- A pledge of marital domestic bliss: Samuel van Hoogstraten's Perspective box in the National Gallery, London / Herman Colenbrander -- Van Hoogstraten's success in Britain / Fatma Yalcin -- Samuel van Hoogstraten, the first Dutch novelist? / Thijs Weststeijn -- Great respect and complete bafflement: Aronld Houbraken's mixed opinion of Samuel van Hoogstraten / Hendrik J. Horn -- Appendix: Arnold Houbraken's references to Samuel van Hoogstraten and his "Introduction to the Academy of Painting" / edited and translated by Henrik J. Horn.
506	0		_aOpen Access _fUnrestricted online access _2star
520			_aSamuel van Hoogstraten was not only one of Rembrandt's most succesful pupils and a versatile painter. His experiments in optical illusion also attracted the interest of the natural scientists of his time. Furthermore, he wrote some of the first Dutch novels, plays, and a treatise on painting. After travelling to Rome, Vienna, and London he introduced European courtiers' manners in the Low Countries. In this book, a collective of specialists with different backgrounds sheds light on the facets of Van Hoogstraten's work that demonstrates in a unique manner how art, literature, and science were interrelated in the Dutch Golden Age. The contributors devote special attention to his theory of art and his literary writings, the role of paintings in his social network, his contacts in Italy and Britain, and finally the art of his master, Rembrandt. Bringing to the fore hitherto unknown works and highlighting new connections between word and image, the book is an important contribution to our understanding of Van Hoogstraten's universal art and its implications for Early Modern cultural history.
588			_aDescription based on print version record.
600	1	0	_aHoogstraten, Samuel van, _d1627-1678.
650		0	_aPainting _zNetherlands _y17th century.
650		0	_aPainting, Dutch _y17th century.
655		7	_aElectronic books. _2local
700	1		_aWeststeijn, Thijs, _eeditor.
710	2		_aProject Muse, _edistributor.
776	1	8	_iPrint version: _z9789089645234 _z9089645233
710	2		_aProject Muse. _edistributor
830		0	_aAmsterdam studies in the Dutch golden age.
830		0	_aBook collections on Project MUSE.
856	4	0	_zFull text available: _uhttps://muse.jhu.edu/book/66568/
999			_c234246 _d234245