000			04939cam a22004454a 4500
001			musev2_76484
003			MdBmJHUP
005			20240815120832.0
006			m o d
007			cr||||||||nn|n
008			200729r20202015nyu o 00 0 eng d
020			_a9780692403723
035			_a(OCoLC)1181773569
040			_aMdBmJHUP _cMdBmJHUP
050		4	_aB2430.D454 _bA86 2015
100	1		_aAracagok, Zafer, _eauthor.
245	1	0	_aAtopological Trilogy: Deleuze and Guattari / _cZafer Aracagök.
264		1	_aBaltimore, Maryland : _bProject Muse, _c2020
264		3	_aBaltimore, Md. : _bProject MUSE, _c2020
264		4	_c©2020
300			_a1 online resource (90 pages): _billustrations
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
500			_aIssued as part of book collections on Project MUSE.
504			_aIncludes bibliographical references (pages 67-69)
505	0		_aForeword: the undecidable / by Manola Antonioli -- Becoming-sexual of the sexual -- Sound, music, and schizo-incest -- Clinical and critical perversion.
506	0		_aOpen Access _fUnrestricted online access _2star
520			_aAtopological Trilogy creates new concepts for Deleuze-Guattarian thought without any heed for sectarian, sermonising, or dutiful readings of the philosophers. In Part I of the trilogy, "Becoming-Sexual of the Sexual," Aracagök demonstrates the ways in which quantum theory and the concept of "complementarity" inform Deleuze and Guattari's thought, especially in relation to "becoming" in general and "becoming-woman" and "becoming-queer" more particularly. Aracagök argues that the ways in which the philosophers put forward a ban on "becoming-man" with a certain degree of undecidability encapsulates (albeit in a cryptic form) other becomings, the most important of which is becoming-queer, or rather, the becoming-sexual of the sexual.In Part II: "Deleuze on Sound, Music, and Schizo-Incest," Aracagök puts into resonance the sound, noise, and music (and the question) of schizo-incest with the intention of deterritorialising a notion of the meta-audible. If Kafka's story, "The Investigations of a Dog" leads us to a realm of the "formless" which cannot be heard without destroying what we know as "hearing," it also offers us a limit-experience of the meta-audible, which, when radicalised via the notions of "schizo-incest" and "self-shattering," creates a line of flight that escapes even from the line of flight itself. All these maneuvers pose a serious challenge to Deleuze and Guattari, who claim that despite all his investigations, Kafka's investigator dog is re-Oedipalised in the end. Proposing in the end a limit experience which Aracagök calls the "meta-audible," he shows that Kafka's more radical approach to sound creates a line of flight that escapes even from the line of flight itself.The final essay of the trilogy, "Clinical and Critical Perversion," begins with the 19th-century crisis of an abyss presumed to be yawning between mimesis and diegesis ever since Plato. According to Aracagök, this takes the form of a crisis of the "political," the repression of which becomes the mission of psychoanalytical discourse towards the end of the 19th century. This crisis finds another form of expression in George Büchner's unfinished 1836 novella Lenz, relative to the audibility of a "terrible voice which is usually called silence." If the disappearance of the "political" is related to the rise of psychoanalysis on the protocols of, first, hypnosis, and then, the "talking cure," both of which privilege the presumed form of the voice of the analyst over the analysand's silence (a psycho-politics?), Aracagök proposes re-distributing this process, calling renewed attention to the clinicalisation of perversion, along Deleuzian-Guattarian distinctions such as: surface and depth, critical and clinical, oedipal-incest and schizo-incest, leading to a re-evaluation of what Deleuze and Guattari might have meant by "homosexual-effusion" in their book Kafka: Toward a Minor Literature, all in order to deterritorialise the "political" under a new concept -- namely, critical perversion.Ultimately, Atopological Trilogy offers the reader no safe grounds for preserving not only a philosophical identity but also not any identity, if only to be able to let you float in the air without any guidance à la Kafka's "Red Indian."
588			_aDescription based on print version record.
600	1	0	_aGuattari, Felix, _d1930-1992.
600	1	0	_aDeleuze, Gilles, _d1925-1995.
650		0	_aOntology.
655		7	_aElectronic books. _2local
710	2		_aProject Muse, _edistributor.
776	1	8	_iPrint version: _z9780692403723
710	2		_aProject Muse. _edistributor
830		0	_aBook collections on Project MUSE.
856	4	0	_zFull text available: _uhttps://muse.jhu.edu/book/76484/
999			_c234285 _d234284