000 | 03073cam a22004454a 4500 | ||
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001 | musev2_76502 | ||
003 | MdBmJHUP | ||
005 | 20240815120832.0 | ||
006 | m o d | ||
007 | cr||||||||nn|n | ||
008 | 200729r20202016xxu o 00 0 eng d | ||
020 | _a9780692652831 | ||
035 | _a(OCoLC)1182548160 | ||
040 |
_aMdBmJHUP _cMdBmJHUP |
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050 | 4 |
_aBH211 _b.B453 2016 |
|
100 | 1 |
_aBehar, Katherine, _d1976- _eauthor. |
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245 | 1 | 0 |
_aBigger Than You: Big Data and Obesity / _cKatherine Behar. |
264 | 1 |
_aBaltimore, Maryland : _bProject Muse, _c2020 |
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264 | 3 |
_aBaltimore, Md. : _bProject MUSE, _c2020 |
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264 | 4 | _c©2020 | |
300 |
_a1 online resource (70 pages): _billustrations |
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336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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500 | _aIssued as part of book collections on Project MUSE. | ||
504 | _aIncludes bibliographical references (pages 45-51). | ||
505 | 0 | _aPoints -- Lines -- Planes -- Bodies -- One. | |
506 | 0 |
_aOpen Access _fUnrestricted online access _2star |
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520 | _aIn her first inquiry toward decelerationist aesthetics, Katherine Behar explores the rise of two "big deal" contemporary phenomena, big data and obesity. In both, scale rearticulates the human as a diffuse informational pattern, causing important shifts in political form as well as aesthetic form. Bigness redraws relationships between the singular and the collective. Understood as informational patterns, collectives can be radically inclusive, even incorporating nonhumans. As a result, the political subject is slowly becoming a new object. This social and informational body belongs to no single individual, but is shared in solidarity with something "bigger than you." In decelerationist aesthetics, the aesthetic properties, proclivities, and performances of objects come to defy the accelerationist imperative to be nimbly individuated. Decelerationist aesthetics rejects atomistic, liberal, humanist subjects; this unit of self is too consonant with capitalist relations and functions. Instead, decelerationist aesthetics favors transhuman sociality embodied in particulate, mattered objects; the aesthetic form of such objects resists capitalist speed and immediacy by taking back and taking up space and time. In just this way, big data calls into question the conventions by which humans are defined as discrete entities, and individual scales of agency are made to form central binding pillars of social existence through which bodies are drawn into relations of power and pathos. | ||
588 | _aDescription based on print version record. | ||
650 | 0 |
_aData mining _xSocial aspects. |
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650 | 0 | _aBig data. | |
650 | 0 |
_aAesthetics, Modern _y21st century. |
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655 | 7 |
_aElectronic books. _2local |
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710 | 2 |
_aProject Muse, _edistributor. |
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776 | 1 | 8 |
_iPrint version: _z9780692652831 |
710 | 2 |
_aProject Muse. _edistributor |
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830 | 0 | _aBook collections on Project MUSE. | |
856 | 4 | 0 |
_zFull text available: _uhttps://muse.jhu.edu/book/76502/ |
999 |
_c234314 _d234313 |