000			03368cam a22005174a 4500
001			musev2_85128
003			MdBmJHUP
005			20240815120848.0
006			m o d
007			cr||||||||nn|n
008			210416t20212021miu o 00 0 eng d
010			_z 2021015296
020			_a9780472901302
020			_z9780472126224
020			_z9780472054336
035			_a(OCoLC)1245237875
040			_aMdBmJHUP _cMdBmJHUP
245	0	0	_aSounding Together : _bCollaborative Perspectives on U.S. Music in the 21st Century / _cCharles Hiroshi Garrett and Carol J. Oja, editors.
264		1	_aAnn Arbor, Michigan : _bUniversity of Michigan Press, _c2021.
264		3	_aBaltimore, Md. : _bProject MUSE, _c2021
264		4	_c©2021.
300			_a1 online resource.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
500			_aIncludes index.
506	0		_aOpen Access _fUnrestricted online access _2star
520			_a"Sounding Together: Collaborative Perspectives on U.S. Music in the Twenty-21st Century is a multi-authored, collaboratively conceived book of essays that tackles key challenges facing scholars studying music of the United States in the early twenty-first century. This book encourages scholars in music circles and beyond to explore the intersections between social responsibility, community engagement, and academic practices through the simple act of working together. The book's essays-written by a diverse and cross-generational group of scholars, performers, and practitioners-demonstrate how collaboration can harness complementary skills and nourish comparative boundary-crossing through interdisciplinary research. The chapters of the volume address issues of race, nationalism, mobility, cultural domination, and identity; as well as the crisis of the Trump era and the political power of music. Each contribution to the volume is written collaboratively by two scholars, bringing together contributors who represent a mix of career stages and positions. Through the practice of and reflection on collaboration, Sounding Together breaks out of long-established paradigms of solitude in humanities scholarship and works toward social justice in the study of music"-- _cProvided by publisher.
588			_aDescription based on print version record.
650		7	_aMusic _xPolitical aspects. _2fast _0(OCoLC)fst01030414
650		7	_aMusic _xInstruction and study. _2fast _0(OCoLC)fst01030347
650		7	_aMusic. _2fast _0(OCoLC)fst01030269
650		0	_aMusic _xPolitical aspects _zUnited States _xHistory _y21st century.
650		0	_aMusic _xInstruction and study _zUnited States _xHistory _y21st century.
650		0	_aMusic _zUnited States _y21st century _xHistory and criticism.
651		7	_aUnited States. _2fast _0(OCoLC)fst01204155
655		7	_aHistory. _2fast _0(OCoLC)fst01411628
655		7	_aCriticism, interpretation, etc. _2fast _0(OCoLC)fst01411635
655		7	_aElectronic books. _2local
700	1		_aOja, Carol J., _d1953- _eeditor.
700	1		_aGarrett, Charles Hiroshi, _d1966- _eeditor.
710	2		_aMichigan Publishing (University of Michigan), _epublisher.
710	2		_aProject Muse. _edistributor
830		0	_aBook collections on Project MUSE.
856	4	0	_zFull text available: _uhttps://muse.jhu.edu/book/85128/
999			_c235175 _d235174