000 01820cam a22003974a 4500
001 musev2_100005
003 MdBmJHUP
005 20240815120859.0
006 m o d
007 cr||||||||nn|n
008 221031s2022 mnu o 00 0 eng d
010 _z 2022039136
020 _a9781452968599
020 _z9781517914035
035 _a(OCoLC)1349460570
040 _aMdBmJHUP
_cMdBmJHUP
100 1 _aMcGrath, Jason,
_d1966-
_eauthor.
245 1 0 _aChinese Film :
_bRealism and Convention from the Silent Era to the Digital Age /
_cJason McGrath.
264 1 _aMinneapolis :
_bUniversity of Minnesota Press,
_c[2022]
264 3 _aBaltimore, Md. :
_bProject MUSE,
_c2022
264 4 _c©[2022]
300 _a1 online resource (424 pages).
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
506 0 _aOpen Access
_fUnrestricted online access
_2star
520 _a"In Chinese Film, Jason McGrath traces the varied claims to cinematic realism made by Chinese filmmakers, critics, and scholars. He presents realism as an aesthetic form that negotiates between cultural conventions and the ever-evolving real, envisioning it as more than just a cinematic question and showing how the struggle for realism is central to the Chinese struggle for modernity itself."--
_cProvided by publisher.
588 _aDescription based on print version record.
650 7 _aPERFORMING ARTS / Film / History & Criticism.
_2bisacsh
650 0 _aRealism in motion pictures.
650 0 _aMotion pictures
_zChina
_xHistory.
655 7 _aElectronic books.
_2local
710 2 _aProject Muse.
_edistributor
830 0 _aBook collections on Project MUSE.
856 4 0 _zFull text available:
_uhttps://muse.jhu.edu/book/100005/
999 _c235739
_d235738